CITY WALK in Shenzhen Fashion Week, colorful Guizhou art Guizhou non -heritage shine

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In Shenzhen in April, the spring solstice is strong.
The A/W2024 Shenzhen Fashion Week hosted by the Shenzhen Municipal People’s Government and hosted by the Shenzhen Clothing Industry Association, and co -organized by the people’s governments of various districts, the Shenzhen Fashion Week venue of Shenzhen Happy Coast Innovation Center was saved as scheduled.
The slogan of “Chinese Women’s Women’s Watching Shenzhen” has a long history. Shenzhen Fashion Week, as an important starting point for creating Shenzhen’s international fashion creative capital, has been successfully held for 9 consecutive years. It has also become the most influential and wind -oriented fashion industry in the country.One of the activities is to continue to lead and promote the development of Chinese fashion.
Da Xiu opened again, and Shenzhen set off a wave of fashion weeks, becoming the hot spot and focus of the city.
At this year’s A/W2024 Shenzhen Fashion Week, there is a special guest from Chen Yueqiao, the founder of the Guizhou Monuature Qianyi National Clothing Museum.As an expert and scholar who has high influence in the field of textiles in China, especially in the field of clothing culture in the southwest, is invited to Chen Yueqiao from a distance from more than 3,000 (sets) collections, and several pieces are usually easy to easily easily easily easily.The treasure of the town hall that refuses to show people: Guizhou Danzhai Miao Type Bird Clothes, Jianhe Miao Tin Embroidery, Miao Miao people in Leishan West, Taijiang Shidong Miao people, Weining Miao people, with hand -forged silver jewelry, inThe fashion week series of activities starred in Citywalk.
These national treasures that condense national wisdom and aesthetics, and have spread for several generations, have become the “big net red” at the current Shenzhen Fashion Week, setting off a colorful Guizhou national style, which is known as the “Fashion WeekMuseum walking on “.
National non -heritage treasure in Fashion Week starred in Citywalk
There are many nations in Guizhou, “different miles of vulgarity, different services in ten miles.”The art of traditional clothing is colorful and dizzying.The integration of clothing needle embroidery, workmanship, pattern design, historical culture, national memory, etc., inherit thousands of years and greatly inspire and learn from the development of current fashion clothing.
When nation meets with fashion, there are countless people.
The new national tide and new Chinese style of the new national tide and new Chinese style with excellent traditional culture and national spirit, and the national style show is full.This trend has taken the traffic of major social platforms, from the niche of the catwalk to sweeping the people.
The traditional costumes of Guizhou national costumes and “non -heritage” culture are presented in front of the public in this fashion, modern, and avant -garde way, interpreting non -heritage fashion shows across time and space, region and nation.At the forefront of Chinese fashion, there is a wave of upsurge at Shenzhen Fashion Week with original design.
Three generations have inherited the Thunder Mountain Qianjiang Miaohu Ribbon skirt, which can be called the treasure of Guizhou Mastel, the Town Hall of Guizhou, has attracted a lot of attention.Dozens of graceful ribbons swaying with the steps, each of which is made of 5 embroidery films. On the total of more than 100 embroidery films, the patterns, craftsmanship, and meanings of each embroidered film are different.
Another Miao tin embroidered Chinese clothing from the glass showcase is also a treasure.According to reports, such a exquisite heavy work, full -bounted tin embroidery, selected metal tin in the material, and fastened into a tin strip with thin hair, and then use the needle method to use the needle method.It takes 7-10 years to sew, and it is very expensive and rare.
Industry leaders, well -known brands and designers, industry KOL, etc., have highly approved the treasures brought by Chen Yueqiao, and actively discussed and imagined the possibility of future cooperation.
Pan Ming (left), president of the Shenzhen Clothing Industry Association, Vice President of the China Clothing Culture Research Association/China Textiles Non -Hermond Embroidery Promotion Ambassador/Guizhou Monuary Guizhou Arts Museum, founder, Chen Yueqiao (right)
Chen Yueqiao (left) Su Yaobo (middle), the founder of Langdai International Women’s clothing, and the best commentator of China International Fashion Week.
Chen Yueqiao (right) took a group photo with Xiong Yanyan (left)
It is reported that this trip is also a bold attempt for Chen Yueqiao to bring the Guizhou Mastel Qianyi Clothing Museum to help Guizhou’s non -heritage.
Chen Yueqiao believes that using the costumes of various ethnic groups in Guizhou as a carrier to tell the colorful stories of Guizhou, and to convey the flash point of the inheritance story with the non -heritage style, you can actively promote the innovation and integration of national culture and fashion culture, so that localization of national culture canThe attribute becomes contemporary, and the collection lying in the museum activates to make it fashionable to enter the public’s life. It also makes new explorations of the contemporary, fashionable, and communication paths of non -heritage.
Chen Yueqiao watched the show at Fashion Week
The best way to inherit the non -heritage is to evoke its vitality, crystallizing the wisdom such as embroidery, textile, and totem, better integrate into modern fashion, so that non -heritage will be rejuvenated, and truly protects, inherit, and develop.
The practitioner represented by Chen Yueqiao, who measures the colorful village villages in Guizhou Village, holds up the banner of public welfare and leads her Guizhou Maska Guizhou Ethnic Clothing Museum. She has been acting on the road.
Fashion Week scene Chen Yueqiao (left) accepted an interview with the editor -in -chief of Nana
Guizhou Daily Tianyan News reporter Zhou Rui
The picture is provided by the interviewed unit
Edit Long Piao
Liu Juan in the second trial
Three Trial Zhou Wenjun
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